The College Road campus is truly the jewel in their crown. The open day was lively and interactive which is a great start no matter what course you are applying for . As you know I’m searching the my perfect illustration BA hons.
That in mind I was hunting down the course tutor Neil Hadfield like a bloodhound. he was happy to talk with me and show me around. (good start) Neil gave me great advice about what they were looking for in student applications and kept no secrets about the questions they might ask in the interview. Hereford interview most of the applicants who apply to the degree courses. I believe this is a particularly great thing as we find only in meeting a creative person can you truly know the level of their passion for Art. furthermore he gave good advice about portfolio expectations and how to apply for funding. What a nice man.
Hereford does not disappoint. There was a wealth of Art course merging in one beautiful place. From the well known arts to the more specialist quest. A creative individual would be sure to find a happy home here.
BA Hon included: Artist Blacksmithing (wow), illustration, animation, jewellery design, fine art, popular music, contemporary design craft, textile and photography, film and photography, commercial photography, and more.
All the degrees are validated by Wales Trinity Saint David’s university.
On the subjects of home this has been the best institute thus far to have given out housing information. The staff did more than just say “we have student housing” The housing team introduced them selves, explained how to contact them and gave clear instruction on how and importantly when you should apply regardless of what university you are attending. Although I am not in need myself. I felt reassured and cared about by their openness. If I had been a young applicant or a parent of a student this would have been a welcome relief.
Tutors were keen to mention how all areas are available to all students whichever course they are on. Integration and collaboration is a big part of Hereford students life. What a refreshing and exciting testament to have. There was lots of evidence to support this around the building on the blogs and more importantly when talking to already attending students.
For me the only down side was the remoteness of the location. Because I can’t be in residence due to family commitments. The town has old market qualities that are full of rural charm. If your a city fan or want big nightlife this is not the place for you. If you love people and nature and want to be inspired by the handcrafted Hereford is the best place on earth for you.
Ikon presents the first UK solo show of works by Korean artist Lee Bul.
The college art group had a blast and commented on how detailed the sculptures were even thou they were on such a massive scale. there was something beautiful yet disjointed in the utopian project i thought. And was glad to find out that is exactly how Lee Bul wants you to feel. This was something i had to show my Dad.
Being able to get up really close and even interact with Her sculptures was a real treat. I adore artist who allow us to be within or to get in tough with the art; providing both visual and sensual creative information. these artist you know are think about communicating to everyone as much of their mind as possible. My Dad is the reason that I did well in art so when his eyesight was permanently damaged I wondered if the days of us wondering around Art galleries and historical sites with the camera were at and end. Thankfully all it did was open up a new way of looking and finding art, nature and beauty. “Having a different set of artistic eyes.” he says.
So thank you Lee Bul we really enjoyed the day at your exhibition
Born in 1964, under the military dictatorship of South Korea, Lee Bul graduated in sculpture from Hongik University during the late 1980s. Her works became preoccupied with politics, delving into the many forms of idealism that permeate our civilisations, and from the beginning she created works that crossed genres and disciplines in provocative ways.
The sculptures reflect utopian architectural schemes of the early twentieth century as well as images of totalitarianism from Lee Bul’s early experiences.
“Cyborg display” drew upon art history, critical theory, science fiction and popular imagination to explore anxieties arising out of dysfunctional technological advances, whilst simultaneously harking back to icons of classical sculpture.