Writer’s Statement.

Writer’s Statement.

I’m Seraphim Bryant and I write for young adults who like thrillers and a bit of fantasy. Also, I write and illustrate picture books in young children’s fiction which are frequently about social issues and citizenship.

My style is very open, it’s quite conversational. This is because I like people so much and I love talking to them about their life, theories, and what their passions are.

That that’s how my writing often sounds; I write like a person who is telling you a story about what they’ve witnessed. The tone of my work can be quite serious, but I always have a dash of humour. Humour and love are essential in my writing because It’s my belief that life itself is full of humour and held together by love; it’s how people survive though hard times and massive challenges. I want my characters to go through parts of a real life too.

I was brought up on traditionalist writers like Beatrix Potter, Enid Blyton, CS Lewis, JRR Tolkien and stories from the Bible. I was very lucky to be read to as a child by my dad. These writers gave me a great sense of imagination, of new worlds, and the importance of people’s values and beliefs. Unfortunately, I was very sick child in my early years so I didn’t have a lot of schooling and this made be very slow to learn to talk, to read and ultimately communicate with the written word. For a long time, I struggled, and avoided reading.

Thankfully, in high school an amazing English teacher, Mr Young took the time to know me. He would constantly give the books that he knew I wouldn’t put down. This meant I felt compelled to read and I was launched into high fantasy, Gothic fiction and thrillers. From famous writers like Stephen King and Piers Anthony, to new writers at the time such as Carlos Ruiz Zafon, Christopher Paolini, Phil Pullman and Sally Green. My head was now full of stories, stories and escapism that I wanted to hear for myself. Ideas of the kinds of magic that I thought would interest me. Until I felt duty-bound to write too. This lead me into a degree in Creative writing and Illustration, bonding my two passions into production.

This is why I write, read, and I love, young adult fiction and I’m sure I will be buried with a children’s novel in hand.

SB

 

 

Why do you write?

Why do you write what you write?

Why does it matter that you write?

Why do you put the time and effort into writing?

What are you trying to convey to readers through your writing?

What do you want your writing legacy to be?

How did you become a writer?

What About Raymond Carver?

Though Raymond Carver published only a handful of books in his lifetime, he is often considered one of the great American short story writers. Debate still exists as to whether to consider Carver a minimalist for his frequent use of sparse language, a voice of the working class for his commitment to ‘ordinary’ characters, or a champion of “dirty realism” for his frank depictions of modern American life. But no matter how you might regard his work, Carver’s legacy and reputation have only grown since his death in 1988, at the age of 50.

“Well, of course I had to keep him on a leash,” his mother, Ella Carver, said much later — and seemingly without irony. Mrs. Carver might have had the right idea. Like the perplexed lower-middle-class juicers who populate his stories, Carver never seemed to know where he was or why he was there.

Born in Oregon in 1938, Carver soon moved with his family to Yakima, Wash. In 1956, the Car­vers relocated to Chester, Calif. A year later, Carver and a couple of friends were carousing in Mexico. After that the moves accelerated: Paradise, Calif.; Chico, Calif.; Iowa City, Sacramento, Palo Alto, Tel Aviv, San Jose, Santa Cruz, Cupertino, Humboldt County . . . and that takes us up only to 1977, the year Carver took his last drink.

His two passions were stories (which he failed to get published despite a strong work ethic for submissions) and Maryann Burk, a local girl four years his junior. When his parents moved to California for work, Carver already had the plans in motion for their marriage.

The relationship between Raymond and Maryann would define much of Carver’s life. Within two years of marriage, they’d had two children, Christine and Vance. Most of their early life was fraught with financial difficulty. Carver’s passion for writing was intense, but was at odds with his disdain for any other kind of work. As such, Maryann tended to act as breadwinner, usually through waitress jobs, as she supported Carver’s attempts to get recognized and also his attempts to earn a college degree, a goal thwarted by both financial trouble and Carver’s insecurities.

Carver’s most important break came through a long-time friend, Gordon Lisch, who had become an editor at Esquire. Through the connection, Carver published his first major-press collection, the Lisch-edited Will You Please Be Quiet, Please? In the years following, he and Maryann finally separated and Carver gained control of his drinking. The book was widely praised, and it is clear in light of his biography how well he made use of the sadness and desperation he had experienced in his own life and those of his lower middle-class communities.

From there, Carver’s fortunes improved. Sober and committed, Carver published another collection – What We Talk about When We Talk About Love – and though it’s often criticized as having been too heavily edited by Lisch, it won even more acclaim than the previous collection. Along with another poetry book (Fires), Carver then prepared his final collection of all-new stories, considered by many to be his masterpiece: Cathedral. In this time, Carver met and moved in with Tess Gallagher, a poet who would eventually become his wife and partner until his death.

Financially stable through both fellowships and book sales, Carver spent his final few years cementing his reputation as a great American literary figure. His relationships with his mother, Maryann, and his children grew stronger. And then he was diagnosed with cancer.

On August 2, 1988, Carver died from lung cancer at the age of 50. He is buried at Ocean View Cemetery in Port Angeles, Washington. The inscription on his tombstone reads:

LATE FRAGMENT

And did you get what

you wanted from this life, even so?

I did.

And what did you want?

To call myself beloved, to feel myself

beloved on the earth.

 

His poem “Gravy” is also inscribed.

raymond-carver

 

The Conversation Challenge

 

Task: write a conversation where there are ….

A.      All gender-neutral pronouns.  No, He or She

B.      No gender obvious names.

C.      Setting must be a café

D.      And the characters are exchanging gifts.

My Attempt

                The streets were swollen with people. Manic delivery drivers parked in the road and ignored the angry horns as they raced against the stream of shoppers and dived in and out of business doorways. I watched relived that my partner Avery, did all our Christmas shopping and I only had to cook the meal for us and our children on the big day. I kept checking my watch, it was unlike Jo to be late. The newspaper before me was becoming less and less interesting.  Finally, there was a bustle of activity. I looked up to see Jo was there fighting the narrow door with a pram. I rushed to help.

                “Hi, how are you?” asked Jo abandoning the pram to kiss me on the cheek.

                “Fine, fine. What happened to you?” I enquired looking at the dishevelled mess of my friend. The person who had nearly always been perfectly presented when we worked together.

                “This monster wanted to feed before we could leave the house.” Jo now balanced baby Sammy on a tilted frame with a baby bag swinging in the arched stance.

                “Here give me Sam, and go and get yourself a cuppa.” I offered.

                “Thank you, Lesley.” Jo put a hand on my arm, smiled and then walk straight past coffee counter, making a beeline for the loos. I laughed and bounced the babbling, bright-eyed Sammy on my knee. Sammy smiled back. clearly unaware of the energy it must have took to make organic carrot purée and get fine oatmeal to the right temperature and still make it into the city centre for 11:20 coffee with an old friend.

                I reached for the all-too-familiar soft brown bear out of the baby bag. There I caught a glimpse at what must have been my Christmas present. Wrapped perfectly and jo’s hand written tag saying;

                 “happy holiday and best wishes Jo and Sam, x.”

                “Shit!” I exclaimed having realised my gift for Jo was back in the office. What was I thinking? Jo had managed to get here and wrestle Sam into the loathed car seat. Which, to be fair, we all didn’t understand how to operate. Jo had driven through city traffic to sit and have coffee with me, here so it was close to my office, and had remembered the gift. What excuse did I have? I Had even been sat here waiting, wondering why Joe was late. The irony that I could have run back to the office and been back within 10 minutes wasn’t helping. If only I had realised. Well, I felt right idiot. Sam added by barfing onto my suit jacket from my continued bouncing. Because of the forgotten gift, I didn’t complain. I figured I deserved it.

                Joe came back with another coffee for me and a tea. Anticipating the vomit episode from Sam Joe had stolen loo roll.

                “I kind of saw it from over there at the counter.” Jo stifled a laugh.

                “Saw what?” I asked wonder if my sneaky peek at the present had been spotted.

                “Half digestive carrot all down your back, perfectly timed as you bent over for the blasted bear… Well done Sam.” Said Joe turning from me to the little bundle of smiling joy and trying to clean me up all of the same time.

                “Made your strike while I was distracted hey? Fair play. But maybe keep the sneakiness to hockey tournaments”

                “Hope you can tech Sammy better than you captain, Captain.” Muttered Jo jokingly.  “Will you be able to change at the office?”

                “Yeah,” I replied hardly caring.

                “Sorry Lesley, I’m still getting used to this parenting thing. No matter how hard I try. I’ve never got everything I need. Maybe I should go back to the warehouse logistics.”

                “I don’t know about that. Just don’t leave me holding the baby” I laughed trying to wrestle Sam into a clean bib. We were now both laughing as it took us the two of us to get Sam into the highchair.

Would you like to guess the gender of Jo, Lesley and Sam?….

I’ll let you know if your right or if I was able to hide them.

Meeting Stephanie Hale

Meeting Stephanie Hale

stephanie1

arranged by our tutor Julia at Worcester university.

Julia and Stephanie met working for the BBC. Stephanie Hale was the former Assistant Director of the Creative Writing Diploma at Oxford University’s Department of Continuing Education and is now the director of Oxford Writers literacy consultancy.

Stephanie’s advice for new authors is primarily to research your market. even if you are doing a genre-based novel.

Also stories must always escalate from the beginning. “In the last 10 years of my experience readers don’t like to wait, especially in literary fiction. They wanted to move fast and they wanted all set up being done within the first chapter.” Stephanie warns us.

What is the worst misconception authors have? “The one thing I’d don’t want an author to be is negative and expecting things to just drop in their lap.” Stephanie often finds that rebranding or re-titling the book can sometimes help an author who has been struggling.

When asked why she wanted to be a publisher Stephanie answered “mostly because people kept asking me. I was quite good at marketing and a lot of people wanted to go from part-time to full-time and I could help with that. I was able to bridge the business to the literacy writers gap and back either way.

How many authors make the cut this year? “out of thousands there is only about 90”

why do people often choose to self-publish?

“I’m not against people self-publishing. As self-published authors you get most of the profit. if you go to the mainstream publishers you only get around 8%. If there was any type of publishing I’m against its vanity publishing where you pay to be published.

If you’re going to self-publish you need to learn marketing skills. Don’t hand the book over and just think it’s going to be okay. When you read about anybody who goes from destitute to millionaire, you find that they have had to put in a lot of hard work and have had to know the subject well in order to sell it.” publishers expect 3000 to 5000 followers on a social media site before they’ll even look at publishing you after you have self-published your own work.

For Stephanie the business side often produces her books. for example, clients wanted to know how to sell 1 million books so that’s what she wrote and that’s exactly what she called it “How to sell 1 million books” she always says to keep going and keep learning.

What are the things you look for in an author?

“The character of the best kind of author is resilience. writing is a business you need to be up to doing this for hours and hours of a day. secondly is marketing. you’ve got to be okay about it; talk about your work, why you love your characters and what inspired you to write. You need to know that you will need even more hours spent researching your book than when you are writing that book. Lastly the perfect type of author understands their reader. They look at what that reader is looking at, they read what that reader is reading, then and only then did they make a story for them.”

Stephanie’s top tips

  1. Don’t outsource. Instead find out what your readers like about your work. Respond to them yourself whenever possible.
  2. Plot is so important. Grammar can be sorted out, but if you don’t have a good story it isn’t even worth the paper its on.
  3. Your first chapter must be a wow! Personal experience and lots of research always help to do this
  4. Get on social media and exploit it. Find out now who is doing similar work to yours and have a look at it. Market research is very valuable.
  5. Sometimes you are the story when it comes to selling your work. Things like what inspired you to make this story or what’s it about these are facts only you can say with passion and be believed.
  6. Bulk sell your book. Get your book into a reading group or on a popular reader’s blogger by sending them free copies for a review. It often works well.

I have to say it was a shock at how high the bar is set for new authors, but I’m glad I took the time to talk with a brilliant mentor and publisher. Now I won’t be wasting so much of my time and energy. Stephanie’s talk has motivated me to really aim my writing and do a lot more research before starting a story.

Thank you Stephanie Hale.

oxford LCA