Falconry in the Wind

“Why don’t you take your birds to shows?” she asked me.

Falconry is actually not displaying birds at shows. The obvious problem with falconry as a display is that these birds are trained to chase down and kill small things, often other birds. So, if James was actually to fly his best bird the first thing Blitz the Harrier Hark would do is…

Yep, kill our Brown Owl Sophie who sits happily on a wooden stump at the park waiting her turn to fetch the dead chick and eat it.

However, Not far from Kidderminster the Falconry Center house and display a wide variety of birds of prey native to the UK, and even some from far off places. (not a pun) They are a small team of really good handlers and It makes great family entertainment.

So if you want a display at your fate or school these are the right kind of people to call. They even offer different bird of prey handling experiences at their centre too!

I took some photos at the resent show…

The Falconry Centre (Hagley)
Kidderminster Road South, Hagley,
West Midlands, DY9 0JB

Tel: 01562 700014   E-mail: info@thefalconrycentre.co.uk

Hartlebury Castle (The Bishop’s Palace)

The land that Hartlebury Castle sits on was granted to the Bishop of Worcester by King Burghred in the late 9th century, although the foundations of the building that now stands here are believed to date back to the 13th century. 

Since the 12th century, it has been a centre of ecclesiastical and administrative power in Worcestershire with its resident bishops involved in some of the significant events of British history from political and military guardians of a frontier with Wales to active participants in political decision making in modern times.

The building is grade 1 listed and it contains the famous Hurd Library was built by Bishop Hurd in 1782. It still contains his extensive and unique collection of books including works from the libraries of Alexander Pope and William Warburton. The copy of the Iliad from which Pope’s translation was made is among them.

The grounds include a period cider mill, A Transport Gallery which has amazing Romney Gypsy wagons and The Worcestershire County Museum which houses the servants’ quarters of Hartlebury Castle. The house also has the period rooms which displays including a schoolroom, nursery and scullery, and Victorian, Georgian and Civil War rooms. The exhibits focus on local history and include toys, archaeology, costumes, crafts by the Bromsgrove Guild, local industry, and area geology and natural history. You are now able to walk along the old moat and enjoy local produce at the shop. 

We had a fantastic time, and hope you will take a trip to Hartlebury Castle too.

 

BRISTOL HARBOUR FESTIVAL 2018

For many people the Bristol Harbour festival is an opportunity to celebrate the heart of the beautiful city, and the harbour itself.

In 1802, famous architect William Jessop proposed installing a dam and lock at Hotwells to create the floating harbour and a £530,000 scheme was approved by Parliament. Construction began in May 1804 and today the Harbour still provides the city with a bustling centre filled with activity. 

The docks used to be a vital part of Bristol’s economy but in the second half of the 20th Century its prominence began to fade, its economic power waned and questions were asked about what to do with the waterway and the land alongside it. Sadly the Port of Bristol Authority decided to close the city centre docks in the 1960s.

Local groups took up the fight to save the docks, and the first Harbour Festival in 1971 was a massive part of the plan. The festival is free for all and brings over 250,000 people together each summer to celebrate Bristol’s rich maritime history and enjoy some of the city’s best music and entertainment. 

“CIRCUS SKILLS. STREET DANCE ACTS. BOLLYWOOD MOVES. FIREBRAND STREET POETS. ALL THESE AND MORE WILL FEATURE THROUGHOUT THE WEEKEND.CATERING FOR ALL AGES, A PACKED PROGRAMME OF ENTERTAINMENT HAS BEEN PUT TOGETHER TO ENSURE THERE’S SOMETHING FUN AROUND EVERY CORNER.”

[https://www.bristolharbourfestival.co.uk/]

Bristol two weeks circus

2018 is the 250th anniversary of modern circus in Britain and there are celebrations taking place throughout the year all over the country. Here Bristol is the UK’s leading City of Circus, with the largest concentration of circus professionals living and working in the city.

Cirque Bijou are Bristol-based show-makers who push the boundaries of contemporary
circus, street theatre and spectacle to make work that is unexpected, unforgettable and
celebratory.

Circomedia (founded in 1993 by Bim Mason and Helen Crocker,) is a school for contemporary circus and physical theatre based in BristolEngland.The school offers a variety of training courses and workshops that teach circus skills in the context of physical theatre, performance and creativity.

 

Dark Tales Magazine

Dark Tales; publish many types of story, provided that the fundamentals are adhered to – grammar, spelling, punctuation, etc. If a piece is not professionally presented it will have to be exceptionally good to be considered for publication. Stories should be no longer than 5000 words.

They accept horror, speculative fiction and dark fantasy, and anything that falls into the gaps between these genres. Psychological rather than gory horror is preferred, and speculative fiction should enliven the imagination rather than drag the plot down with technical detail. Stories about vampires, werewolves or dragons are fine as long as there is an original spin.

Open submissions should be posted to:

Dark Tales Submissions
7 Offley Street
Worcester
WR3 8BH

 

Source: Dark Tales Magazine

Writer’s Statement.

Writer’s Statement.

I’m Seraphim Bryant and I write for young adults who like thrillers and a bit of fantasy. Also, I write and illustrate picture books in young children’s fiction which are frequently about social issues and citizenship.

My style is very open, it’s quite conversational. This is because I like people so much and I love talking to them about their life, theories, and what their passions are.

That that’s how my writing often sounds; I write like a person who is telling you a story about what they’ve witnessed. The tone of my work can be quite serious, but I always have a dash of humour. Humour and love are essential in my writing because It’s my belief that life itself is full of humour and held together by love; it’s how people survive though hard times and massive challenges. I want my characters to go through parts of a real life too.

I was brought up on traditionalist writers like Beatrix Potter, Enid Blyton, CS Lewis, JRR Tolkien and stories from the Bible. I was very lucky to be read to as a child by my dad. These writers gave me a great sense of imagination, of new worlds, and the importance of people’s values and beliefs. Unfortunately, I was very sick child in my early years so I didn’t have a lot of schooling and this made be very slow to learn to talk, to read and ultimately communicate with the written word. For a long time, I struggled, and avoided reading.

Thankfully, in high school an amazing English teacher, Mr Young took the time to know me. He would constantly give the books that he knew I wouldn’t put down. This meant I felt compelled to read and I was launched into high fantasy, Gothic fiction and thrillers. From famous writers like Stephen King and Piers Anthony, to new writers at the time such as Carlos Ruiz Zafon, Christopher Paolini, Phil Pullman and Sally Green. My head was now full of stories, stories and escapism that I wanted to hear for myself. Ideas of the kinds of magic that I thought would interest me. Until I felt duty-bound to write too. This lead me into a degree in Creative writing and Illustration, bonding my two passions into production.

This is why I write, read, and I love, young adult fiction and I’m sure I will be buried with a children’s novel in hand.

SB

 

 

Why do you write?

Why do you write what you write?

Why does it matter that you write?

Why do you put the time and effort into writing?

What are you trying to convey to readers through your writing?

What do you want your writing legacy to be?

How did you become a writer?

What About Raymond Carver?

Though Raymond Carver published only a handful of books in his lifetime, he is often considered one of the great American short story writers. Debate still exists as to whether to consider Carver a minimalist for his frequent use of sparse language, a voice of the working class for his commitment to ‘ordinary’ characters, or a champion of “dirty realism” for his frank depictions of modern American life. But no matter how you might regard his work, Carver’s legacy and reputation have only grown since his death in 1988, at the age of 50.

“Well, of course I had to keep him on a leash,” his mother, Ella Carver, said much later — and seemingly without irony. Mrs. Carver might have had the right idea. Like the perplexed lower-middle-class juicers who populate his stories, Carver never seemed to know where he was or why he was there.

Born in Oregon in 1938, Carver soon moved with his family to Yakima, Wash. In 1956, the Car­vers relocated to Chester, Calif. A year later, Carver and a couple of friends were carousing in Mexico. After that the moves accelerated: Paradise, Calif.; Chico, Calif.; Iowa City, Sacramento, Palo Alto, Tel Aviv, San Jose, Santa Cruz, Cupertino, Humboldt County . . . and that takes us up only to 1977, the year Carver took his last drink.

His two passions were stories (which he failed to get published despite a strong work ethic for submissions) and Maryann Burk, a local girl four years his junior. When his parents moved to California for work, Carver already had the plans in motion for their marriage.

The relationship between Raymond and Maryann would define much of Carver’s life. Within two years of marriage, they’d had two children, Christine and Vance. Most of their early life was fraught with financial difficulty. Carver’s passion for writing was intense, but was at odds with his disdain for any other kind of work. As such, Maryann tended to act as breadwinner, usually through waitress jobs, as she supported Carver’s attempts to get recognized and also his attempts to earn a college degree, a goal thwarted by both financial trouble and Carver’s insecurities.

Carver’s most important break came through a long-time friend, Gordon Lisch, who had become an editor at Esquire. Through the connection, Carver published his first major-press collection, the Lisch-edited Will You Please Be Quiet, Please? In the years following, he and Maryann finally separated and Carver gained control of his drinking. The book was widely praised, and it is clear in light of his biography how well he made use of the sadness and desperation he had experienced in his own life and those of his lower middle-class communities.

From there, Carver’s fortunes improved. Sober and committed, Carver published another collection – What We Talk about When We Talk About Love – and though it’s often criticized as having been too heavily edited by Lisch, it won even more acclaim than the previous collection. Along with another poetry book (Fires), Carver then prepared his final collection of all-new stories, considered by many to be his masterpiece: Cathedral. In this time, Carver met and moved in with Tess Gallagher, a poet who would eventually become his wife and partner until his death.

Financially stable through both fellowships and book sales, Carver spent his final few years cementing his reputation as a great American literary figure. His relationships with his mother, Maryann, and his children grew stronger. And then he was diagnosed with cancer.

On August 2, 1988, Carver died from lung cancer at the age of 50. He is buried at Ocean View Cemetery in Port Angeles, Washington. The inscription on his tombstone reads:

LATE FRAGMENT

And did you get what

you wanted from this life, even so?

I did.

And what did you want?

To call myself beloved, to feel myself

beloved on the earth.

 

His poem “Gravy” is also inscribed.

raymond-carver